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Relations between Inner Asian nomads and Chinese are a continuous theme throughout Chinese history. By investigating the formation of nomadic cultures, by analyzing the evolution of patterns of interaction along China's frontiers, and by exploring how this interaction was recorded in historiography, this looks at the origins of the cultural and political tensions between these two civilizations through the first millennium BC. The main purpose of the book is to analyze ethnic, cultural, and political frontiers between nomads and Chinese in the historical contexts that led to their formation, and to look at cultural perceptions of 'others' as a function of the same historical process. Based on both archaeological and textual sources, this 2002 book also introduces a new methodological approach to Chinese frontier history, which combines extensive factual data with a careful scrutiny of the motives, methods, and general conception of history that informed the Chinese historian Ssu-ma Ch'ien.

• Sales Rank: #818101 in eBooks
• Published on: 2002-02-25
• Released on: 2002-02-25
• Format: Kindle eBook

Review
"Throughout the second century B.C., the world of East Asia was divided between two great superpowers, the Han Chinese and the Hsiung-nu, facing off against each other sometimes peaceably and sometimes antagonistically. In Ancient China and Its Enemies, Nicola Di Cosmo provides a magisterial survey of the rise of the lesser known of these two powers, the nomadic Hsiung-nu. This book is invaluable not only for understanding the relations between ancient China and its major enemy, but also for understanding either of the powers individually." Edward Shaughnessy, University of Chicago

"...the author deserves praise and gratitude for producing and invaluable piece of work. This book is a masterpiece of scholarship. It will rank as an indispensable tool for anyone studying foreign relationships in ancient China and beyond for years to come." Harvard Journal of Asiatic Studies

"...I am certain that anthropologists, political scientists, and others will find much here of interest. Di Cosmo writes well and offers fascinating anecdotes at just the right times." History

"...a carefully researched and superbly presented history of the northern frontier of China from 900 to 100 B.C...a fascinating, detailed, scholarly, and very strongly recommended historical survery and analysis." Library Bookwatch

"This outstanding work of scholarship demonstrates a magisterial command of the sources, asks important questions, and provides measured, finely nuanced answers."
Peter B. Golden, The International History Review

About the Author
Nicola Di Cosmo is Senior Lecturer in Chinese History at the University of Canterbury (Christchurch, New Zealand).

Most helpful customer reviews

20 of 22 people found the following review helpful.
Solid scholarship
By Stage 3
This is not a book for the casual reader nor somebody seeking a shallow introduction into the field. However, if this is your area of interest then this tome should satisfy you. It is very well researched and the hypotheses are very well argued.

The book is divided into four parts that are roughly chronological. The first part is primarily based on archeology. It was a bit of a chore to read as the author listed items to explain how the different designs showed different cultural aspects. Unfortunately, it was like walking blind through a museum with a very knowledgeable guide telling you what you saw. This approach was essential as it set up the evidence for the early part of the book. Di Cosmo posits that the nomadic tribes might not have been behind settled tribes along the developmental spectrum, indeed nomadic tribes may have been capable of evolving into nomadic peoples becausee they had undergone a sedentary period in their development.

One of di Cosmo's most interesting theories is his view that the original walls of 'The Great Wall' were not marks of a defensive posture against aggressive nomads but rather the bases for the Chinese to exercise hegemonic authority over the tribes along the frontier. The wall was not borne of fear but of a desire for conquest. This is not necessarily controversial as the Romans appreciated that walls could designate a border and also allow Roman influence to cross into barbarian lands from a firm base.

If you are looking for arguments connecting the Huns to the Hsiung-Nu, you will be disappointed because di Cosmo understandably avoids that debate as not being connected with his central hypotheses. He does, however, devote many pages to discussing the Hsiung-Nu's emergence and their rocky relationship with China.

I would strongly recommend this book to anybody interested in this field for its solid research. The book has convincingly pushed back the mists of mythology from the physical borderlands of China's historical narrative.

0 of 0 people found the following review helpful.
The construction of walls on China's northern frontier has traditionally ...
By JPC
The construction of walls on China's northern frontier has traditionally been viewed as marking worsening relations with the pastoral nomadic cultures in the north. Contrary to this view, Di Cosmo argues that the walls were actually part of a campaign for territorial expansion by the Chinese states of the Warring States (403-421 B.C.) period. As the central states expanded into the lands of nomadic and semi-nomadic peoples, they built walls to fence of territory from other nomadic populations and secure a strategic military presence. "The walls were part of an overall expansionist strategy by Chinese northern states meant to protect their political and economic penetration into area thus far alien to the Chou world" (155). Chinese expansion into Hsiung-nu territory lead to a series of crises, that led to the increased militarization of Hsiung-nu society, and to political centralization. Di Cosmo argues that this political structure was held together thanks to Chinese tribute, "without which the Hsiung-nu leadership would not have been able to support the impressive court, military apparatus, and tribal loyalty, and which arguably were crucial to the survival and expansion of the Hsiung-nu empire" (205).

11 of 11 people found the following review helpful.
Thoughtful Combination of History and Historiography
By R. Albin
This thoughtful book is an interesting combination of historical analysis and historiography. Di Cosmo's primary objective is to reveal the complexities of the relationships between the early Chinese states and the their northern nomadic neighbors. In particular, Di Cosmo wants to debunk the traditional dualistic opposition between Chinese civilization and predatory Central Asian nomads. Di Cosmo points out that the traditional approach was largely formulated by Confucian oriented Chinese historians, especially the great Han historian Ssu-ma Chi'en (Sima Qian), and adopted more or less uncritically by westerners working in early Chinese history.

Di Cosmo begins with a survey of the archaeology of East Asian steppe regions and the surrounding regions to the north and south. By the middle of the first millenium BC, pastoral nomadic cultures were established leading wholly nomadic lives, with sophisticated metallurgy, powerful bows, and practicing effective cavalry warfare. Di Cosmo points out as well that these cultures interacted with a variety of other cultures, some agro-pastoral, some agricultural, and some hunting based. Northern China, the steppe regions, and surrounding regions are reconstructed as a complex patchwork of interacting societies with different features with pastoral nomads on the steppes and the emerging Chinese states to the south.

In Di Cosmo's historical reconstruction, the growth of the central Chinese states led not only to the Imperial unification of the Chin period but also to considerable expansion of the Chinese states into what is now Northern China, resulting in direct conflict with steppe nomads. Di Cosmo argues that Chinese state expansionism, particularly the aggression of the Chin state, led to social reorganization of at least one steppe nomad people, the Hsiung-Nu. Under the pressure of Chinese expansionism, the Hsiung-Nu developed the first steppe empire with a single charismatic leader, more centralization of authority, and a militarized society quite capable of defeating the Chinese armies in battle. After the collapse of the Chin state and the assumption of power by the Han dynasty, the Chinese state was not powerful enough to defeat the Hsiung-Nu and entered into a tributary relationship with the Hsiung-Nu. The Hsiung-Nu empire, however, required a constant infusion of external resources to maintain its political equilibrium. This led to constant demands for tribute and raiding of Han China. Over time, the Han state underwent internal consolidation and grew in power. With the adoption of effective cavalry and ability to marshal considerable resources, the Han were eventually able to confront the Hsiung-Nu successfully, though only at great expense. Di Cosmo's reconstruction is based on a careful reading of the existing texts, use of archaeological data, and some appeal to ethnographic data. It makes a lot of sense.

Di Cosmo concludes with thoughtful historiographic section on Sima Qian and how this powerful intellect developed the traditional model of Chinese-nomadic opposition.

This book is written well and Di Cosmo's analyses are thought through well. It certainly provides a new perspective on early China and by extension, the role of central Asian nomads.

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[M251.Ebook] Download PDF Knitting Stitches VISUAL Encyclopedia (Teach Yourself VISUALLY Consumer), by Sharon Turner

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350 stitch patterns you'll use again and again

Knitting Stitches VISUAL Encyclopedia gives you quick visual access to a comprehensive collection of stitch combinations that enable you to create your own designs or modify existing patterns with ease. Each stitch is accompanied by a full-color photo and diagram to make learning even easier, while sidebars guide you through tricky parts of various stitch patterns.

knit and purl patterns • ribs • bobbles and textured stitches • slipstitch patterns • twist-stitch patterns • cables • drop-stitch, eyelet, and lace patterns • borders and edgings • color knitting patterns

• Sales Rank: #445184 in eBooks
• Published on: 2012-01-04
• Released on: 2012-01-04
• Format: Kindle eBook

About the Author

SHARON TURNER is the author of several knitting books, including Teach Yourself VISUALLY Knitting, Teach Yourself VISUALLY Knitting Design, and Knitting VISUAL Quick Tips (all from Wiley). She designs knitwear and published Monkeysuits, a line of knitwear patterns for babies and children.

Most helpful customer reviews

76 of 77 people found the following review helpful.
Comprehensive stitch guide that is built to last
By Underground Crafter
(Full disclosure: I received a review copy of this book from Wiley to review on my blog.)

I'm a big fan of Knitting VISUAL Quick Tips by Sharon Turner, and I have come to expect that Wiley's VISUAL imprint will have great step-by-step photos. As with the Crochet Stitches VISUAL Encyclopedia (Teach Yourself VISUALLY Consumer), Knitting Stitches VISUAL Encyclopedia instead assumes the reader has the basics down, so don't expect to see those photos or illustrations.

The book is organized into ten chapters: Knit and Purl Patterns; Rib Patterns; Bobbles and Textured Stitches; Slipstitch Patterns; Twist-Stitch Patterns; Cable Patterns; Drop-stitch, Yarn Overs, Eyelet, and Lace; Borders and Edgings; Creative Stitches and Combinations; and Color Knitting (which is further subdivided into Stranded Color Patterns, Intarsia Patterns and Motifs, and Color-Slip Patterns). The Appendix includes a key to pattern abbreviations and stitch symbols. The stitch symbols key also includes a description of how to formulate the stitch (e.g., "K3tog on RS: Knit 3 stitches together as 1.").

What I like about this book
The book is well organized, making it easy to find a stitch you liked later.

Each stitch is photographed in a vibrant swatch and includes both pattern abbreviations and a stitch symbol chart.

While the stitch guide includes some of the "old faithful" stitch patterns you would expect to find in a knitting stitch guide, there are also some new (to me) combinations.

Most of my other knitting stitch guides primarily use aran or off-white yarns, so this book is definitely more attractive to look at as there is a broader color palette for the swatches.

The Introduction. That's right, I said it. You shouldn't skip through this 3 page section, which outlines each chapter and explains the techniques used. It also describes (briefly) how different yarn choices will impact the look of the stitch and provides some tips about calculating your yarn needs for a project. In particular, if you don't know your Intarsia from your elbow, read the explanation of the different color knitting techniques.

I worked up a swatch using a few random stitch patterns that caught my eye. I didn't have any problems following the patterns so I would imagine they are all clearly written.

I especially liked the stitches in the Stranded Color Patterns and Color-Slip Patterns subsections of the Color Knitting chapter, the Bobbles and Textured Stitches chapter, and the Drop-stitch and Yarn Over patterns.

The hardcover binding will make sure this book lasts through all of the abuse a good stitch guide will get.

What I don't like (or what's missing)
I am a bit disappointed when a stitch guide lacks illustrations or photos explaining some of the techniques for a newbie. This deficit was, in my opinion, mostly redeemed by the explanations given in the Introduction.

Although the book is hardcover, it doesn't easily lay flat while knitting and reading.

Maybe I'm just not that excited by Intarsia in general, but I didn't see myself making anything in that section (a teapot with a flower? a robot?). If you are really into cutesy Intarsia, though, you will probably love these 17 stitch patterns.

If you are unfamiliar with stitch symbol charts, you may find it annoying to flip back to the glossary instead of having a key on each page.

Summary:
This book is definitely a solid stitch guide to add to (or start) your stitch guide collection. It is well organized, visually attractive, and includes stitch symbols and abbreviations for each stitch. The book explores a range of stitch types and is built to last as a hardcover. Beginners or inexperienced pattern readers might find it challenging since there are no illustrations or pictures to walk you through the basics. I give this book 5 out of 5 stars, with the caveat that a beginner will need to be adventurous or have another resource book in her/his library to use this book effectively.

73 of 74 people found the following review helpful.
Kindle version review
By Amazon Customer
I recently downloaded this to my Kindle. The pictures of the stitches are great and the book is set up wonderfully but I am giving this a 3 star not because of the stitch content (I would actually give it 5 stars for that) but the 3 is because in the Kindle edition of this book the section in the back that has the symbols, their meanings, and how to's for each one is so small and blurry it is impossible to read them. The text size cannot be changed for this section for some reason (and I have tried to do this on my Kindle, the Kindle app on my phone, and the Kindle app on my tablet) but the text in the rest of the book can be changed. Although I have other hardcover stitch books, I was really interested in having one on the Kindle so I would always have a stitch book with me and this works great for that but you really need to be fluent in the chart symbols and how to do all of them.

31 of 31 people found the following review helpful.
The only thing missing...
By R. C. Payne
I have found this book to be very helpful to look up unfamiliar stitches while reading patterns new patterns. The only thing missing?? An alphabetical index of the stitches. Its rather painful to have to look at the 7 pages of table of contents and look at all the stitch names to find the one you want. I just find it hard to believe that a reference book such as this does not have an index.

See all 97 customer reviews...

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[P677.Ebook] Fee Download Man's Higher Consciousness (1962), by Hilton Hotema

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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

• Sales Rank: #457925 in Books
• Published on: 2010-09-10
• Original language: English
• Number of items: 1
• Dimensions: 11.02" h x .59" w x 8.27" l, 1.41 pounds
• Binding: Paperback
• 282 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Fascinating Read
By Lady Bluebell
Brings together a great deal of little-known information on health, spiritual, religion, & various ancient teachings in one book. Purchased due to interest in the history & concept of India, but was surprised to see just how much more was within these pages. Highly recommended for those with unusual reading tastes.

41 of 44 people found the following review helpful.
A Fantastic Read!!
By Uzo Uba
This book will help you to climb higher in Consciousness...
As a Vegetarian I was a but ashamed to read the "true facts" in this book about my meatless diet, -which kind of hurt my feelings, however I want to change and change is sometimes painful. You will be surprised to read some of the many facts in this book about eating meat, eating vegetables, composition of the blood thru diet and much much more. I suggest you go to google books and preview some of the literature if you really can't wait. But to be truthfully honest, if you are even here reading this review right now, then this is a book that you will love and keep for future reference as you evolve and transform, becoming more intelligent, and more loving. Indeed, you will also find quite shocking information about the history of mankind degeneration; just reading this book will give you a different outlook on life. What you see with your two eyes when you "wake up" every morning is just an illusion, which many people never escape from. Arm yourself with Knowledge! I urge you! The fire of knowledge must be ignited inside you or your life will never amount to any significance. I am in college, but college doesn't teach you a single thing about "How to go beyond" It's just all about money. If you really want to go beyond, you'll have to do it yourself. Your not the only person who is questioning the idiotic way of life that many people are living. (Forgive them for they know not what they do). Arm yourself with real knowledge, Go Beyond, and you will understand all that you have been wondering. I am not sure what much to say, but you should definitely buy this Book. The knowledge in here is probably worth $10 Million dollars over the course of your life.....

Other good books I have purchased..... So Far

All books on Diet and Fasting By Arnold Ehret
All books Diet and fasting By Raymond W Bernard including "Science discover the physiological value of continence" and "Nutritional sex control and rejuvenation"

I also plan to purchase more books by Hilton Hotema :)

Go forth with Peace and Love!

14 of 14 people found the following review helpful.
I really love this eye-opening book!
By Souleem
Andrew Norton Webber recommended Man's Higher Consciousness during one of his interviews. It took nearly a year of listening to his interviews before I decided to give this book a read. I found it so interesting and so compelling that I bought a second copy so that I have an everyday copy to carry with me and a backup in case I lose the original.

Since beginning Man's Higher Consciousness, I have read about ten other Hilton Hotema books and I really wish the publishers would make all of Hilton Hotema's books available in electronic form. It appears that the author sometimes repeated entire chapters from his prior books, but the Hotema material is such uncommon knowledge that the repetitions were beneficial and worked well for me.

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The first book in a thrilling fantasy trilogy starring one of the animal kingdom's most hunted heroes. Foxcraft is full of excitement and heart, and a touch of magic.

Isla and her brother are two young foxes living just outside the lands of the furless -- humans. The life of a fox is filled with dangers, but Isla has begun to learn mysterious skills meant to help her survive.

Then the unthinkable happens. Returning to her den, Isla finds it set ablaze and surrounded by strange foxes, and her family is nowhere in sight. Forced to flee, she escapes into the cold, gray world of the furless.

Now Isla must navigate this bewildering and deadly terrain, all while being hunted by a ruthless enemy. In order to survive, she will need to master the ancient arts of her kind -- magical gifts of cunning known only to foxes. She must unravel the secrets of foxcraft.

• Sales Rank: #132429 in Books
• Published on: 2015-09-29
• Released on: 2015-09-29
• Original language: English
• Number of items: 1
• Dimensions: 8.30" h x .90" w x 5.60" l, .0 pounds
• Binding: Hardcover
• 272 pages

From School Library Journal
Gr 3–6—Isla's life is carefree and comfortable, although she lives in the Great Snarl with Ma, Fa, Greatma, and her inseparable and more talented twin, Pirie. Suddenly, all is snatched from her when she lags behind and comes back to her den to find a shulk of mean-looking foxes, led by the one-eyed Karka, burning down her home. She takes off before she can be captured, but finds herself in the dangerous world of the furless (humans) following the deathway (highway) and unable to eat anything more than beetles and worms. The young kit soon finds herself in the company of a dog. When she begins to see his true shape, he wa'akkirs (shape shifts) to reveal his true self: the beautiful red fox Siffrin, sent by the Elders to retrieve Pirie. He teaches Isla about Foxcraft, the cunning magic of the fox, and she is able to connect with Pirie in her dreams as they continue their search. But all is not as it appears with Siffrin, and Isla realizes that he might not be a friend when she catches sight of the half rose mark on him. The mark is that of the foxes of Karka's shulk, those called the Taken, who are controlled by the evil Mage. With so many questions remaining at the end, there is sure to be another installment in this series that will explore more parts and places of the fox world. Reminiscent of the "Warriors" series (HarperCollins), to which the author contributed, and similar to Kathryn Lasky's "Guardians of Ga'Hoole" series (Scholastic), this title takes the actual habits and attributes of real foxes and mixes in magic and a complex social structure. This book will be enjoyed by readers who like well-crafted fantasy of the furry kind. VERDICT A solid contribution to anthropomorphized animal stories, though not completely original in concept.—Clare A. Dombrowski, Amesbury Public Library, MA

Review
* "Vivid details, intriguing characters, and a riveting plot are smoothly executed in this exciting new series. Beautifully rendered and magical." -- Kirkus Reviews, starred review

About the Author
Inbali Iserles is an award-winning writer and an irrepressible animal lover. She is one of the team of authors behind the New York Times bestselling Survivors series, writing under the pseudonym of Erin Hunter. Her first book, The Tygrine Cat, won the 2008 Calderdale Children’s Book of the Year Award. Together with its sequel, The Tygrine Cat: On the Run, it was listed among The Independent’s “50 books every child should read."

Inbali attended Sussex and Cambridge Universities. For many years she lived in central London, where a fascination with urban foxes inspired her Foxcraft trilogy. She has recently moved to Cambridge with her family, including her principal writing mascot, Michi, who looks like an Arctic fox, acts like a cat, but is in fact a dog.

Most helpful customer reviews

10 of 10 people found the following review helpful.
Iserles is able to make you feel like a fox
By Adriana
Foxcraft - The Taken, is not only well written, it is intriguing and grabs your attention from the very beginning.

Written in the eyes of Isla, the main fox cub character, it allows you to be engrossed in to the world of foxes. You grow right along side of her as she learns about her life as a fox and the ancient teachings of Foxcraft. Iserles is able to make you feel like a fox, think like a fox and take you on a complete journey.

Perfectly written for the age group it is intended to target, I would high recommend it anyone 10 + to read. As an older reader, it was great to experience a fantasy side of such a beautiful animal.

Cannot wait for the 2nd novel in the series to see what happens next to Isla.

6 of 7 people found the following review helpful.
Dark and sad
By Debra
I read this aloud to my 9 and 6 year old and found it extremely confusing. Maybe I'm slow on the uptake but it look me a while to figure out that the "furless" were humans and that "deathways" were roads, etc. My kids kept asking me to explain the book and I wasn't sure what they were talking about. The story is very dark and sad - Isla's family disappears almost immediately (with a lot of talk about fur and blood) and basically all she talks about the rest of the book is how depressed and upset she is about it. I personally even found it a little disturbing.

For kids into dark fantasy this will hit a sweet spot, but for kids used to lighter books I would avoid this one.

3 of 3 people found the following review helpful.
A truly heartfelt and wonderful story!
By Mamahen66
“Mad fox, bad fox, just another dead fox!” This is the chant that Isla and her brother, Pirie, always use to show the dangers of the Graylands (the city). Not that they know just how dangerous it actually is. But one day when Isla gets distracted and falls behind her family on their way to the den, she catches up to find her den burning and her family gone. Throughout her journey to find Pirie, she runs across another fox looking for him too. This fox’s name is Siffrin. As she travels the dangerous Graylands, he protects her and guides her to the rock angel where her brother hinted for her to go in a dream to find him. These 3 foxes all have one thing in common, they can use Foxcraft, which is a magical power only certain foxes know how to do. Pirie can Slimmer, which is making yourself disappear to unsuspecting eyes. Isla can Karakk, which is where you are literally throwing your voice so that other animals hear it from a different place. Siffrin can do both and Wa’akkir which is where you can turn into an animal that you have studied every detail of so that you can become it as a clone of sorts. Siffrin is the most talented at Foxcraft because he is the eldest of the 3. Isla is probably the youngest, but also the most stubborn. Pirie and Isla are so closely bonded that he manages to associate with her in her dreams using the forgotten Foxcraft of Gerra-Sharm. This is how he sends her the image of the rock angel where he was at the time.
The Graylands are also full of danger. A skulk (pack) of evil foxes led by a harsh vixen (mature female fox) try to capture and kill Isla in their search for Pirie as well. Another danger are the trappers. These are the furless (people) that capture foxes and take them to a place where they never return. The other evil of the Graylands is very unexpected and proves a saying that Isla knows well. “You must trust nobody.” Even someone you thought you knew… When Isla learns the truth, she is thrust into even more peril. All the while her strong, loving, gentle, and protective Pirie is out there and apparently everyone wants to find him because of some strange prophesy. That is why Isla must find him first.
I think the moral of the story is that family will always be there for you even though it might not seem like it. This book really touched my heart and made me realize just how important family is. While Isla searches for Pirie, she keeps reminding herself that he will always be there for her as she will be for him. I absolutely loved it and would definitely recommend it to whomever wants a heartfelt book to read. I think everyone will love this book because it reminds you to keep your loved ones close.

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• Sales Rank: #4097749 in Books
• Binding: Hardcover

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This book explores the organization of creative industries, including the visual and performing arts, movies, theater, sound recordings, and book publishing. In each, artistic inputs are combined with other, "humdrum" inputs. But the deals that bring these inputs together are inherently problematic: artists have strong views; the muse whispers erratically; and consumer approval remains highly uncertain until all costs have been incurred.

To assemble, distribute, and store creative products, business firms are organized, some employing creative personnel on long-term contracts, others dealing with them as outside contractors; agents emerge as intermediaries, negotiating contracts and matching creative talents with employers. Firms in creative industries are either small-scale pickers that concentrate on the selection and development of new creative talents or large-scale promoters that undertake the packaging and widespread distribution of established creative goods. In some activities, such as the performing arts, creative ventures facing high fixed costs turn to nonprofit firms.

To explain the logic of these arrangements, the author draws on the analytical resources of industrial economics and the theory of contracts. He addresses the winner-take-all character of many creative activities that brings wealth and renown to some artists while dooming others to frustration; why the "option" form of contract is so prevalent; and why even savvy producers get sucked into making "ten-ton turkeys," such as Heaven's Gate. However different their superficial organization and aesthetic properties, whether high or low in cultural ranking, creative industries share the same underlying organizational logic.

• Sales Rank: #172867 in Books
• Brand: Brand: Harvard University Press
• Published on: 2002-04-30
• Released on: 2002-03-19
• Original language: English
• Number of items: 1
• Dimensions: 1.18" h x 6.34" w x 9.22" l, 1.15 pounds
• Binding: Paperback
• 464 pages

Features

• Used Book in Good Condition

From Booklist
Caves is a Harvard professor of political economy and author of a number of books on industrial efficiency, productivity, and competition. He admits to a two-decade fascination with the economics of the artistic and creative endeavor, but Caves worries that others may regard this interest as "frivolous." Consequently, he thought it better to establish his "reputation for professional seriousness" before attempting this analysis. Caves looks at the visual and performing arts, cinema and television, sound recordings, book publishing, and toys and games to investigate how the theory of contracts and the logic of economic organization affect the production of "simple creative goods" and more "complex goods" like plays or motion pictures, which require teams of artists with diverse talents. Under Caves' scrutiny, art collectors and moviegoers are consumers; gallery owners are "gatekeepers"; and critics are "certifiers." His work is both serious and scholarly and anything but "frivolous." David Rouse
Copyright © American Library Association. All rights reserved

Review
Creative Industries will appeal to the growing community of social scientists and humanists who are interested in and write about cultural policy. Even the economics-averse among them will have no excuse to avoid this gracefully written volume. It promises to be a much-needed touchstone for work in cultural economics, the sociology of art and culture, and the interdisciplinary field of arts and cultural policy analysis. (Paul DiMaggio, Professor of Sociology, Princeton University)

[Caves] uses contract and industrial-organization theory to throw light on how and why the industries producing cultural goods and services--from literature to film, from rock music to opera--work as they do...Caves does not engage issues of ideology, nor of the political or economic importance of the arts, but simply sees the creative industries as fascinating areas of economic activity which have been largely neglected by economists...By documenting a wide range of commercial interactions across the creative industries, this comprehensive and immensely readable book shows persuasively that economic theory can help us understand the sheer business of making art happen. (David Throsby Times Literary Supplement 2000-12-15)

Richard Caves has filled a very large gap: until now virtually no one has addressed the economic organization of the arts and culture. This is a highly accessible work, in which huge volumes of scholarly and popular work have been uncovered, absorbed and assimilated in the finished product.Creative Industries is a splendid book. (Richard Netzer, Professor of Economics and Public Administration, Robert F. Wagner Graduate School of Public Service, New York University)

Creative Industries explores the economics of the arts in exacting detail. With great skill and originality, Caves has analysed the economic forces operating in music, book publishing, painting, the theatre and movies. (Winston Fletcher Times Higher Education Supplement 2001-05-04)

Caves presents an excellent and readable discussion of the economics and organization of the creative arts industry…Using an enormous amount of qualitative information, Caves combines the theory of contracts (a new development) with the economics of industrial organization to explain institutional arrangements (the contractual strategies of the market mediators) between artists (authors, actors, performers) and consumers. (R. A. Miller CHOICE)

About the Author
Richard E. Caves is Nathaniel Ropes Research Professor of Political Economy at Harvard University.

Most helpful customer reviews

6 of 11 people found the following review helpful.
Okay for a look-see, but maybe not a great buy, per se.
By B. Thompson
Upon the suggestion of a very famous academic I purchased this text. This book is written by a famous Harvard economist, and I now know how much these highly esteemed professors can get away with. If you are looking for middle of the road quotes and want a new source for them, this book will easily do the trick. If you are seeking out a illuminating cover to cover text dealing with either Creative Industries or flat out Economics this book may leave you flat.

In all honesty, I did not complete this text and there is a strong likelihood that I never will. This is not to say it is without merits entirely (please note that I did give it 3 stars). It is just that the book very long and lacks an intimate feel of solidarity with either the artistic side or the commerce dealers. It covers a lot of ground, and I do believe that my wallet would have been better served if I had just spent an afternoon at the local University library thumbing the text and xeroxing what I deemed relevant.

8 of 9 people found the following review helpful.
The underlying economic principles for many industries
By Gabriel Natividad
Dozens of books on entertainment industries come out every year, but only few survive the test of time. This is one of them, and not precisely for the encyclopedic amount of information and references it presents (you can actually get many more references by sending an email to the author), or for its practical value --which in my opinion is high. The value of this book boils down to its elegant treatment of the economic logic behind seemingly unrelated businesses like moviemaking or ballet. The chapter on contracts for creative products is truly illuminating.

The author provides upfront the seven basic economic principles that affect all creative industries:

1. Demand is uncertain

2. Creative workers care about their product

3. Some creative products require diverse skills

4. Differentiated products.

5, 6, 7: read them yourself.

While everybody in the entertainment world might have their own list, this one is written and carefully developed by Richard Caves.

The format might be intimidating to some (e.g., no pictures, no tables, no flashy stuff), so don't buy it if you are not willing to invest a little time and brains to profit from the author's reasoning.

0 of 0 people found the following review helpful.
Five Stars
By Melinda G.
In excellent condition

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1982 edition. A new book with almost nonexistent edge wear. There is a small rough spot about 1/8 inch in diameter on spine. Still shiny. From private collection.

• Sales Rank: #1113656 in Books
• Published on: 1982-03-12
• Released on: 1982-03-12
• Original language: English
• Number of items: 1
• Binding: Paperback
• 206 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
A revolution in its time
By D. Chandler
I started reading James in 1980, like all his early work this book helped spark a revolution in the statistical information available to the general public. Young people don't realize it, but in the 1970s and early 1980s you could not find out what Jim Rice hit at home versus on the road; Mantle's lifetime batting average left-handed versus right-handed; how many times Reggie Jackson walked in a season, let alone intentional walks. How often did Jim Rice hit into a double play (too often, but other than that you could not get the statistics). James changed all that; he forced baseball to release the information, and when they wouldn't cooperate, he organized people to compile it themselves. So whether or not you think stats play too big a role in todays' baseball (I would not disagree) try to imagine a time when you couldn't get information as simple as a lefty/righty or home/road split. I am not exaggerating.

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